Category Archives: truth

If Truth Be Told


Sometimes I am surprised by something story related that turns up on the net, not because it is on the net but because I remember being told it at primary school and am amazed that it was considered appropriate. One such item is a famous painting and it’s attendant story: “The Truth coming out of the well” by Jean-Léon Gérôme. The painting features a rather pleasant Mediterranean courtyard corner with a vine climbing up the walls. In the foreground a young lady is stepping over a low wall wearing nothing but a shocked expression.

The story that goes with the picture is that the Truth and the Lie meet one day. The Lie says “What a lovely day”! The Truth looks around and has to agree, since the day is rather nice. The two amble around together for a while and eventually arrive at a well. The Lie tells the Truth: “The water is very nice, let’s take a bath together!” The Truth, once again suspicious, tests the water and discovers that it indeed is very nice. They undress and start bathing.

Now, I’m not sure what you think but, as a 6 year old I was dubious about the concept of random strangers meeting up and going skinny dipping in the water supply. I especially had trouble with the idea of taking a bath in a well as this would surely necessitate some level of naked climbing or levitation, on top of which they had no towels or soap with them and the whole episode seemed rather unlikely. Looking back I realise I must have been a much more literal child than the adult I grew into and clearly had issues with extended metaphor, so for anyone else who is struggling with details of this nature I should probably suggest that they are unimportant, just the dressing, let them go. It is an allegory and as such it is the interrelation of the two characters that we are supposed to be paying attention to.

Suddenly, the Lie gets out, puts on the Truth’s clothes and legs it. The Truth is unsurprisingly rather miffed and clambering out of the well runs around trying to find the Lie and reclaim her clobber. The World, seeing the Truth naked, turns its gaze away, with contempt and rage.

And this is the bit I had trouble with in terms of appropriateness. There seemed to be a double standard about the nakedness issue. If we are not supposed to look at her naked then why are you showing us a picture? Also, someone’s nicked her clothes, why is everyone being mean to her? Furthermore, I really didn’t like the ending which leaves the world a very dark and hopeless place. Is this really the world view to present to infants?


The poor Truth, so the story goes, went back to the well and hid in it, feeling ashamed of her nakedness. Since then the Lie travels the world freely, dressed as the Truth, satisfying the needs of society, because, the World, in any case, harbours no wish at all to meet the naked Truth.

See what I mean? Grim. Today though, I am a storyteller and I know things that I did not know then. I know that Truth did not stay in the well. She crept out under cover of darkness and turned up at the Storyteller’s door. There she was taken in, given food, comfort, a warm bed and gentle embraces. Now each day the Storyteller dresses her in material of metaphor, wraps her in robes of fantasy, heightens her appeal with hats of hyperbole and sends Truth out, hiding in plain sight, to whisper in to peoples hearts.

…here’s to living happily ever after, until the next adventure.

The Travelling Talesman

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Truth Be Damned


Robin Hood’s ‘grave’ could be bulldozed and covered in concrete”!

Screams the headline. Well, the site is called Robin Hoods grave, there has always been some controversy over it and when a TV programme investigated with ground penetrating radar they found no sign of bones under the grave stones. The absence of Robin’s remains may not surprise some, there is quite a lot of evidence available to suggest he was always a fictional character and never had a body to start off with. The question therefore is: does it matter if they concrete it over?

Robin Hood is a folk hero with better than average geographical specificity. He is undeniably English, his adversary is unarguably the Sheriff of Nottingham and he is inextricably linked with Sherwood Forest. We also have unusual clarity about what he did: anybody you ask will tell you he was a champion archer and he lived outside the law with not one version of the tales making him a part time magistrate who was handy with a frying pan. The thing about him that is most uncertain would appear to be his basic existence… and I say it matters not one jot!

What is important about the guy who stole from the rich and gave to the poor is not who he was, it is who the rich and the poor were. The earliest written reference to our hero is from 1377 so his stories were in common usage before then and probably had their genesis much earlier. During the three hundred years since the Battle of Hastings, the general populace of England, the Anglo-Saxons, were heavily subjugated to William’s conquerors. The Normans were rich because they took all the land and the Saxons were poor because that was an easy way to keep them under control. The Normans considered themselves a separate and superior race and all Saxons slaves. The oppression of the Saxons was systemic, violent and total. The outlaws of our early medieval folklore, like Hereward the Wake and of course Robin, were not just poor people getting by, struggling with one despotic official, they were freedom fighters, the rebel resistance, battling for their country against a tyrannical occupying force. A quick look at the top movies of the last thirty years will show you how powerful a story that is, even if it happens in a galaxy far, far away.

The Robin Hood story as we know it is part of what UNESCO call our Intangible Cultural Heritage. It is our story, it shapes how we think about ourselves as a nation and feeds into our attitudes to morality, authority and personal freedom. Like King Arthur, Luke Skywalker or even Jesus, arguments against their factual, historical actuality are largely irrelevant; how we relate to the story emotionally and psychologically is the important business.

Would it matter then if, in pursuit of further wealth, the rich and powerful in collusion with the local authorities destroyed the probably invented resting place of a possibly fictitious character?

Simply, yes.

Much as it is the psychological resonance of the stories deep inside us that determine our behaviour, physical items and locations connected with a story reinforce and amplify the re-telling of the tale. Those who feel threatened by a story will seek to denigrate (“It’s not really his grave.”) and eradicate (“Therefore we can bulldoze it.”) these foci. Those who are comforted or inspired by the story will rally to defend them.


As indeed they did. It turns out that the Telegraph’s article is no more factual than the green clad cop-dodger himself. The plans have already been changed to leave the site of the tomb untouched. In a time of idealogical austerity, with the rich avoiding their taxes, I can see Mr. Hood’s merry band returning to the forefront of the folkloric cannon… whatever the truth of the matter may be.

…here’s to living happily ever after, until the next adventure.

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